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Campaign
Curated by Amy Smith-Stewart, March 10 - April 21, 2012

Campaign: Curated by Amy Smith-Stewart

Past exhibition
  • Overview
  • Works
  • Installation Views
  • Wall Bearer, 2011 Color photograph
    KATE GILMORE, WALL BEARER, 2011
  • Pink, 2008 Archival digital prints
    DEVILLE COHEN, PINK, 2008
  • Falsche Farbe (Europa), 2011 Aquarel pencil, watercolor, ecoline, marker and tape on paper
    KATI HECK, FALSCHE FARBE (EUROPA), 2011
  • The Happening - man weiss ja nie, 2011 Oil on barite paper
    KATI HECK, THE HAPPENING - MAN WEISS JA NIE, 2011
  • Call me and we can buy love together #46, #47, #45, 2009 Archival inkjet prints on aluminum museum box
    GLEN FOGEL, CALL ME AND WE CAN BUY LOVE TOGETHER #46, #47, #45, 2009
  • Three Human Structures Gazing into a Reflective Surface, 2011 Mixed media collage
    DERRICK ADAMS, THREE HUMAN STRUCTURES GAZING INTO A REFLECTIVE SURFACE, 2011
  • Untitled (8 Phantasms, Female), 2011 Silkscreen on felt
    ADAM HELMS, UNTITLED (8 PHANTASMS, FEMALE), 2011
  • From a Distance You Don't Look Anything Like a Friend, 2011 Letterpress, neon, transformer, On Killing by Lt. Col. Grossman
    JILL MAGID, FROM A DISTANCE YOU DON'T LOOK ANYTHING LIKE A FRIEND, 2011
  • Parody, 2000/2001 Cut mirror glass with finger indentations and felt
    JILL MAGID, PARODY, 2000/2001
  • Good Morning Sunshine, 2009 Single channel color HD video with sound 14:50 minutes, native aspect ratio 16:9

    LAUREL NAKADATE, GOOD MORNING SUNSHINE, 2009

  • Photographs with an Audience (University of North Carolina, Chapel Hill), 2009 4 Polaroids (dye diffusion transfer prints)
    CLIFFORD OWENS, PHOTOGRAPHS WITH AN AUDIECE (UNIVERISTY OF NORTH CAROLINA, CHAPEL HILL), 2009
  • Fashion for Co-Joined Twins #3, 2011 Thread, watercolor, and pencil on paper
    AMY WILSON, FASHION FOR CO-JOINED TWINS #3, 2011
  • Alive with Pleasure! Chorus Line (Fair Warning series), 2010 Lightjet print
    HANK WILLIS THOMAS, ALIVE WITH PLEASURE! CHORUS LINE (FAIR WARNING SERIES), 2010
Download List of Works

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