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Gabriel Barcia-Colombo at the Neon Museum in Las Vegas, NV
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Barcia-Colombo recently closed a solo exhibition, Simulations of the Sacredat the Neon Museum in Las Vegas, NV where he was the 2021 Artist in Residence. Inspired by the museum’s vast collection of neon signs, the centerpiece was a ten-foot neon sculpture of Adam and Eve holding cell phones, titled, Temptations in Paradise Pink. The show also included his signature nicho boxes depicting Las Vegas luminaries as modern day saints, as well as works that served as an homage to the dopamine rush of both slot machines and the constant refresh of our social media streams.
One of his more ambitious projects, The Hereafter Institute was created with the Art + Technology Lab at the Los Angeles County Museum of Art (LACMA). Designed as an exploration of what happens to the legacy of online data we leave behind, the walk-through experience included a series of installations allowing visitors the opportunity to plan their own digital afterlife. Another of Barcia-Colombo’s major conceptual works, DNA Vending Machine, was shown at London’s Victoria and Albert Museum as part of their exhibition, What is Luxury? It contained human DNA samples packaged as collectibles, bringing to light legal issues over the ownership of DNA, designer babies and other related implications.
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Gabriel Barcia-Colombo, Memento Mori, 2021, Augmented Reality, Custom Software, Molded Plastic
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Barcia-Colombo often tempers his obsession with memorialization and memory through his use of humor, as he tackles serious issues in works of all sizes. In addition to his own practice, he is an Associate Professor at NYU’s Tisch School of the Arts, where he teaches Interactive Media Arts and Interactive Telecommunications.
A look at: Gabriel Barcia-Colombo
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